Brace yourself for an unforgettable foray into the captivating narrative of Robert Service's poem, "The Cremation of Sam McGee." As the icy winds of the Klondike Gold Rush era whip around you, absorb the poignant tale of two friends' perilous quest for gold. Discover the historical significance of the term "sourdough," as we lead you deeper into the frigid Yukon wilderness. Marvel at how Service, like his characters, found inspiration in his surroundings. The chilling scene of Sam's cremation on the frosty expanse of Lake Labarge is brought to life in a dramatic reading of the poem. Illuminating the sacrifices made in the relentless pursuit of wealth, this haunting piece acts as a testament to human fortitude, enduring loyalty, and broken promises.
The raw, stark imagery and grim themes of this iconic poem have forever carved their place in the annals of literature. Delving into the eerie scene of McGee's cremation, we dissect how Service harnesses the potent power of words to paint a vivid picture of the harsh Yukon environment. This immersive exploration of the poem's themes and historical context underscores the tragic consequences of the gold rush. As we uncover the true meaning of "sourdough" and its connection to the Yukon, the poem's profundity unfurls, revealing an intricate tapestry of emotion and human perseverance. Join us on this journey, as we celebrate one of the most memorable poems from the Klondike Gold Rush era.
Everything in a life's experience is true, to the sometimes harshness of realities. What about you? Do you embrace it or do you try to ignore what is true to your own realities? Everything comes from the denial of a presence, but everything comes from accepting one's existence.
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The following is a narrative poem written by Robert Service, composed during the Klondike Gold Rush of 1896 to 1899. It is the story of two friends mushing their way along the Dawson Trail scavenging for gold. Even though the story, in poetic terms, starts to be a grim tale, it leads to wonder, something that sparkles to the disparity of hope on the eve of a Christmas day. Service, like his stories, was a wanderer who rarely settled for long in one place. In 1895, he made his way to British Columbia, worked as a store clerk in Cowichan Bay and wrote poems and published them in the Daily Colonist, a Victoria newspaper. By 1903, he was working at a bank in Victoria. Head office sent him off to the new small town of Whitehorse, established in the frenzy of the Klondike Gold Rush and now in need of a bank. This is where he found the words to a ballad you are about to hear.
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Wild West podcast proudly presents the cremation of Sam McGee, which is dedicated to Penny producer sister-in-law, the Cremation of Sam McGee, published in 1907. There are strange things done in the midnight sun by the men who moil for gold. The Arctic trails have their secret tales that would make your blood run cold. The northern lights have seen queer sights, but the queerest they ever did see was that night. On the march of Lake Labarge I cremated Sam McGee.
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Now, sam McGee was from Tennessee, where the cotton blooms and blows, while he left his home in the south through home round the pole, god only knows. He was always cold, but the land of gold seemed to hold him like a spell, though he'd often say in his homely way that he'd sooner live in hell. On a Christmas day we were mushin' our way over the Dawson Trail, tocky or cold, through the park's fold. It stabbed like a driven nail. If our eyes we'd closed, then the lashes froze till. Sometimes we couldn't see. It wasn't much fun, but the only one to whimper was Sam McGee.
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And that very night, as we lay packed tight in our robes beneath the snow and the dogs were fed and the stars or head were dancing heel and toe, he turned to me and capped, says he, I'll cash in this trip. I guess and if I do I'm askin' that you won't refuse my last request. Well, he seems so low that I couldn't say no. Then he says with a sort of moan it's the cursed cold, and it's got right. Hold till I'm chilled, clinging through to the bone, yet taint bein' dead. It's my awful dread of the icy grave that pains. So I want you to swear that, foul or fair, you'll cremate my last remains. A pal's last need is a thing to heed. So I swore I would not fail and we started on at the streak of dawn. But God, he looked ghastly pale. He crouched on the sleigh and he raved all day of his home in Tennessee, and before nightfall a corpse was all that was left of Sam McGee. There wasn't a breath in that land of death and I hurried, horror-driven, with a corpse half-head that I couldn't get rid because of a promise given. It was lashed to the sleigh and it seemed to say you may tax your brawn and brains, but you promised me true, and it's up to you to cremate those last remains. Now, a promise made is a dead unpaid, and the trail has its own stern code In the days to come.
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Though my lips were numb in my heart how I cursed that load In the long, long night, by the lone firelight, while the huskies round in a ring howled out their woes to the homeless snows. Oh God, how I loathed that thing. And every day that quiet clay seemed a heavy and heavier grow. And on I went though. The dogs were spent and the grub was getting low. The trail was bad and I felt half mad but swore I would not give in. And I'd often sing to the hateful thing and it harkened with a grin Till I came to the marge of Lake Labarge and a derelict there to lay. It was jammed in the ice, but I saw on a trice. It was called the Alice May and I looked at it and I thought a bit and I looked at my frozen chum. Then here I said with a sudden cry, is my crematorium. Some planks.
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I tore from the cabin floor and I lit the boiler fire. Some coal. I found that was lying round and I heaped the fuel higher. The flames just soared and the furnace roared such a blaze you seldom see. And I borrowed a hole in the glowing coal and I stuffed in Sam McGee.
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Then I made a hike, for I didn't like to hear him sizzle so and the heavens scowled and the huskies howled and the wind began to blow. It was icy, cold, but the hot sweat rolled down my cheeks and I don't know why, and the greasy smoke in an icky cloak went streaking down the sky. I do not know how long in the snow I wrestled with grisly fear, but the stars came out and they danced about here again. I ventured near. I was sick with dread but I bravely said I'll just take a peep inside. I guess he's cooked and it's time. I looked. Then the door I opened wide and there sat Sam, looking cool and calm in the heat of the furnace roar. When he wore a smile you could see a mile and he said please close that door. It's fine in here but I greatly fear you'll let in the cold and storm.
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Since I left Plum Tree down in Tennessee it's the first time I've been warm. There are strange things done in the midnight sun by the men who moil for gold. The Arctic trails have their secret tails that would make your blood run cold. The northern lights have seen queer sights, but the queerest they ever did see was that night. On the Marge of Lake Labarge I cremated Sam McGee. The cremation of Sam McGee is among the most famous of Robert W Service's poems. It was published in 1907 in Songs of a Sourdough. A sourdough, in this sense, is a resident of the Yukon. The ballad is based in part on an experience of one of Service's close friends, dr Leonard Sudgein, who had to cremate the body of a miner whom he found on an abandoned steamer. The Olive May, service makes it the Alice May because the ground was too frozen to allow for a burial.